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Entertainment News

Sean Combs: The Reckoning Review

The School of Good and Evil

Interview with the Vampire

Queen Charlottle

The Lord of the Rings: The Rings of Power

Stranger Things 4

The Underground Railroad

High on the Hog

Review of “The Week Of”

Review of Netflix Movie “Roxanne,

Umbrella Academy Season 1

I May Destroy You

You Resemble Me

Sweet Magnolias

Ken Burns' "The American Revolution

The Phoenician Scheme

Beverly Hills Cop: Axel F

The Ministry of Ungentlemanly Warfare Page

Movies Review 2024

Guardians of the Galaxy-Vol 3

Bookclub-The Next Chapter

John Wick: Chapter 4

Ant-man and The Wasp: Quantumania

Fairway to Happiness

Movie Reviews for 2023

The Seasons - Four Love Stories

Guillermo delToro's Pinnochio

An American Ballet Story

Arranged Marriage

Mondo Hollywood Land

Avatar, The Way of Water

Movie Reviews 2022

Mrs. Harris Goes to Paris

Love in Kilnerry

Top Gun: Maverick

Downton Abbey: A New Era

The Royal Treatment

Fantastic Beats:TheSecretsofDumbledore

Fistful of Vengeance

Movie Reviews 2021

Nightmare Alley

Single All The Way

West Side Story

The Harder They Fall

Being The Ricardos

Army of the Dead

The Mitchells vs the Machines

The Power of The Dog

Those who wish me dead

In Our Mother's Garden

Space Jam A New Legacy

Gunpowder Milkshake

Raya and the Last Dragon

Coming to America 2

The Night House

The Suicide Squad

Godzilla vs Kong

A Quiet Place 2

The Sparks Brothers

Spider Man No Way Home

Movie Reviews 2020

Malcolm and Marie

The Boys in The Band

Bring Me an Avocado

Avengers Endgame

John Wick 3-Parabellum

Godzilla King of the Monsters

Movie Reviews 2019

Somos Calentura

Men In Black International

Movie Review 2018

Operation Finale

Crazy rich Asian

Don't Worry, He Won't Get Far On Foot

Don't worry He won't get far on foot

Mary Queen of Scots

Shazam ! Fury of the Gods

Mary Poppins Returns

Oscar Predictions

Hamilton Harris

Omari Hardwick and Matthias Schweighöfer

Michael B. Jordan

Interview with Caleb McLaughlin and Ricky Staub

Anthony Mackie & Damon Idris

Interview of Wiseman-Creator of Asian Rocks

Interview with Actor Jamie Foxx

Interview with Actor Vincent Piazza

Bad Hair Premiere

Tiff Just Mercy Press Conference

Melissa Haizclip

Soul Pixar Interview

Nicole Coughlan & Claudia Jessie

Jonathan Bailey

Hadley Robinson and Alycia Pascual

Eddie Murphy and Arsenio Hall

Trevante Rhoades

Interview with Joel Edgerton

Cast of the Upshaws

Robin Thede and Gabrielle Dennis

Quintessa Swindell

Stephen Satterfield

Deborah Ayorinde

Laurence Fishburne

Adam Demos and Margaret Odette

Taylor Paige and Janicza Bravo

Juan de Marco Gonzales and Alex Lacamoire

Victoria Justice and Midori Francis

Ashley Featherson and Marque Robinson

Logan Browning and John Partrick Amedori

Cast of On My Block

Issa Rae and Prentice Penny

Gil Kenan and star Henry Lawfull

Rodrigo Santuro and Alexandre Moratto

Kevin Hart and Erik Newman

Alisha Wainright and Rome Flynn

Jabari Banks and Morgan Cooper

Beyond The Gates Cast

Just Mike the Poet & Ace Metapor

The Secret Agent

Sentimental Value

Fantasia Film Festival

Fireworks should we see it from the side or bottom

Last Night at the Strip Club

Tribeca Film Festival

God Save The Queens

A WOMAN'S WORK: THE NFL'S CHEERLEADER PROBLEM

Mont Clair Film Festival

Dancing with The Devil

SXSW Short Films

I AM RICHARD PRYOR

Interview with Rodrigo Santuro and Alexandre Moratto

THE BOY BAND CON: THE LOU PEARLMAN STORY

Emily the Criminal

Farewell Armour

Review of First Purge

Review Of "Love Is"

Review of Whitney

Misha and The Wolves

Together Together

Judas and The Black Messiah

On The Count of Three

Miss Juneteenth

The 40 Year old version

Promising Young Woman

Last Black Man in San Francisco

Extremely, Wicked, Shockingly Evil

Wutang of Mic's and Men

Review of The Front Runner

Review of Widows

Review of GreenBook

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This one for the Ladies

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Sean Combs: The Reckoning Review

The School of Good and Evil

Interview with the Vampire

Queen Charlottle

The Lord of the Rings: The Rings of Power

Stranger Things 4

The Underground Railroad

High on the Hog

Review of “The Week Of”

Review of Netflix Movie “Roxanne,

Umbrella Academy Season 1

I May Destroy You

You Resemble Me

Sweet Magnolias

Ken Burns' "The American Revolution

The Phoenician Scheme

Beverly Hills Cop: Axel F

The Ministry of Ungentlemanly Warfare Page

Movies Review 2024

Guardians of the Galaxy-Vol 3

Bookclub-The Next Chapter

John Wick: Chapter 4

Ant-man and The Wasp: Quantumania

Fairway to Happiness

Movie Reviews for 2023

The Seasons - Four Love Stories

Guillermo delToro's Pinnochio

An American Ballet Story

Arranged Marriage

Mondo Hollywood Land

Avatar, The Way of Water

Movie Reviews 2022

Mrs. Harris Goes to Paris

Love in Kilnerry

Top Gun: Maverick

Downton Abbey: A New Era

The Royal Treatment

Fantastic Beats:TheSecretsofDumbledore

Fistful of Vengeance

Movie Reviews 2021

Nightmare Alley

Single All The Way

West Side Story

The Harder They Fall

Being The Ricardos

Army of the Dead

The Mitchells vs the Machines

The Power of The Dog

Those who wish me dead

In Our Mother's Garden

Space Jam A New Legacy

Gunpowder Milkshake

Raya and the Last Dragon

Coming to America 2

The Night House

The Suicide Squad

Godzilla vs Kong

A Quiet Place 2

The Sparks Brothers

Spider Man No Way Home

Movie Reviews 2020

Malcolm and Marie

The Boys in The Band

Bring Me an Avocado

Avengers Endgame

John Wick 3-Parabellum

Godzilla King of the Monsters

Movie Reviews 2019

Somos Calentura

Men In Black International

Movie Review 2018

Operation Finale

Crazy rich Asian

Don't Worry, He Won't Get Far On Foot

Don't worry He won't get far on foot

Mary Queen of Scots

Shazam ! Fury of the Gods

Mary Poppins Returns

Oscar Predictions

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Hamilton Harris

Omari Hardwick and Matthias Schweighöfer

Michael B. Jordan

Interview with Caleb McLaughlin and Ricky Staub

Anthony Mackie & Damon Idris

Interview of Wiseman-Creator of Asian Rocks

Interview with Actor Jamie Foxx

Interview with Actor Vincent Piazza

Bad Hair Premiere

Tiff Just Mercy Press Conference

Melissa Haizclip

Soul Pixar Interview

Nicole Coughlan & Claudia Jessie

Jonathan Bailey

Hadley Robinson and Alycia Pascual

Eddie Murphy and Arsenio Hall

Trevante Rhoades

Interview with Joel Edgerton

Cast of the Upshaws

Robin Thede and Gabrielle Dennis

Quintessa Swindell

Stephen Satterfield

Deborah Ayorinde

Laurence Fishburne

Adam Demos and Margaret Odette

Taylor Paige and Janicza Bravo

Juan de Marco Gonzales and Alex Lacamoire

Victoria Justice and Midori Francis

Ashley Featherson and Marque Robinson

Logan Browning and John Partrick Amedori

Cast of On My Block

Issa Rae and Prentice Penny

Gil Kenan and star Henry Lawfull

Rodrigo Santuro and Alexandre Moratto

Kevin Hart and Erik Newman

Alisha Wainright and Rome Flynn

Jabari Banks and Morgan Cooper

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A WOMAN'S WORK: THE NFL'S CHEERLEADER PROBLEM

Mont Clair Film Festival

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Brazilian Cinema Reclaims the Global Stage:Wagner Moura's Historic Golden Globe Win Signals a New Era

Kathia Woods 1/12/26 Kathia Woods 1/12/26

Brazilian Cinema Reclaims the Global Stage:Wagner Moura's Historic Golden Globe Win Signals a New Era

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In a media landscape where franchises typically prioritize fan service over substance, Disney+'s Andor accomplishes something extraordinary: it transforms Star Wars into a searing political thriller that holds an uncomfortable mirror to our current moment. Creator Tony Gilroy's two-season masterpiece doesn't just depict the rise of authoritarianism in a galaxy far, far away—it provides a chillingly accurate blueprint of how fascism consolidates power in our world today.

Unlike traditional Star Wars fare with its lightsabers and chosen ones, Andor strips away the mythology to examine the mundane mechanisms of oppression. The series follows Cassian Andor (Diego Luna) from apolitical thief to radicalized rebel operative, but more importantly, it shows us how ordinary people navigate life under an authoritarian regime that operates through bureaucracy, surveillance, and the slow suffocation of truth.

The political parallels aren't subtle, nor should they be. When Imperial troops raid homes without warrants, when peaceful protesters are violently beaten, when the word "genocide" becomes sanitized through official propaganda—Andor isn't offering escapism. It's providing vocabulary for our present crisis. Viewers have created viral comparisons between the show's scenes of senatorial suppression and real footage of politicians being forcibly removed for speaking truth to power. The resonance is deliberate and devastating.

Andor is a must-see because it has a deep understanding of how democracies fall apart. The Empire doesn't make a big deal out of itself with weapons that can destroy planets. Instead, it comes through corporate security forces that act as police, through mass surveillance that is called safety measures, through prison labor that is seen as normal, and through propaganda that calls resistance terrorism. One character says, "The Imperial need for control is so desperate because it is so unnatural." Tyranny takes a lot of work.

The series takes a lot from real-life anti-fascist struggles, especially those in Britain during the Thatcher era, Northern Ireland during the Troubles, and different resistance movements in Latin America. But the modern-day American parallels hurt the most. Mon Mothma's (Genevieve O'Reilly) story is a harsh criticism of liberal complicity. It shows a senator working within a corrupt system while funding underground resistance. The result is a moral conflict that anyone who has to deal with institutional opposition to creeping authoritarianism will recognize.

Gilroy doesn't make resistance sound romantic. Characters die before they win. Rebel groups break up over their beliefs and strategies. There aren't many resources. Errors can kill people. Luthen Rael (Stellan Skarsgård) says, "We fight to win," which might be the most powerful thing the show says. This means we keep losing until we're ready. For people who are tired of years of political fighting, this admission feels both right and necessary.

The best thing about the show is that it doesn't give easy answers. It shows prisoners working on the Death Star while we think about our own prison-industrial complex. It shows how colonization destroyed Indigenous culture, and we can see similar things happening today. It shows how fascism uses economic hardship to take advantage of working-class communities that the powerful have left behind. Every frame asks: How much do we help systems of oppression? When do we go from being uncomfortable to doing something?

Andor also knows that fascism isn't just conservative or liberal; it's a totalitarian force that puts all rights below state power. The Empire destroys community groups, watches people who disagree with it regardless of what their political views are, and demands complete obedience. This nuanced portrayal has gotten a lot of praise from people on both sides of the political spectrum because it sees authoritarianism as the enemy of everyone.

The timing of Season 2's release appears to have been intentional. Andor serves as both a warning and a guide, as democracies in the real world are on shaky ground, and the truth itself is up for debate. In a time of fake news and official gaslighting, Mon Mothma's statement that "the death of truth is the ultimate victory of evil" is especially important.

Andor refuses to give in to despair, which is probably the most important thing. Yes, the fight is tiring. Yes, it looks like winning is impossible. But the members of the resistance in the show use the phrase "I have friends everywhere" as code. This is a reminder that solidarity lasts even when people are watching and that community lasts even when people are in danger. The message is clear: being lazy will always lead to defeat, but fighting back, no matter how difficult it is, gives you hope.

Andor shows that franchise entertainment can deal with important political issues in a smart and brave way. It is both a warning and a call to action because it shows the fall of a made-up democracy at the same time as threats to our own. The show doesn't want us to believe in the Force; it wants us to believe in something harder: that people can work together to fight against systems that try to take away their dignity.

When art has to choose between making money and being honest, Andor chooses truth. That makes it not only great TV but also necessary.

Available on Disney+.

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